Introduction |
697.01 | Early paper prints and their confusing terminology |
Examples |
697.02 | Painted salt prints |
697.03 | Blanquart-Evrard process prints |
697.04 | Louis-Désiré Blanquart-Evrard: reproductions of works of art |
697.05 | Salt prints: Stereo |
Photographers |
697.06 | Henry Fox Talbot: The Pencil of Nature (1844-1846) |
697.07 | Henry Fox Talbot: Sun Pictures in Scotland (1845) |
697.08 | Henry Fox Talbot: The Bertoloni Album |
697.09 | Henry Fox Talbot: Paper negatives, waxed paper negatives, calotypes |
697.10 | Hill & Adamson: Portraits |
697.11 | Hill & Adamson: Scottish presbyterians |
697.12 | Hill & Adamson: Disruption of the Church of Scotland (1843) |
697.13 | Hill & Adamson: Newhaven |
697.14 | Hill & Adamson: A Series of Calotype Views - St. Andrews (1846) |
697.15 | Auguste Salzmann: Jerusalem |
697.16 | John Beasly Greene: Le Nil (1854) |
697.17 | John Stewart: Pyrenees (1850s) |
697.18 | Edmond Bacot: Christian architecture in France |
697.19 | Vicomte Joseph Vigier: Pyrenees |
697.20 | Pompeo Bondini: Italy |
697.21 | Roger Fenton: Russia (1852) |
697.22 | George Robinson Fardon: San Francisco Album. Photographs of the Most Beautiful Views and Public Buildings of San Francisco (1856-1857) |
697.23 | Louis-Camille d'Olivier: Nudes |
697.24 | Exhibition of the Works of Industry of All Nations, 1851 (1852) |
Themes |
697.25 | Salt prints: Backgrounds |
697.26 | Salt prints: Exteriors |
697.27 | Salt prints: Portraits |
697.28 | Salt prints: Occupations and roles |
697.29 | Salt prints: Military |
697.30 | Salt prints: Landscapes |
697.31 | Salt prints: Panoramas |
697.32 | Salt prints: Scientific |
697.33 | Salt prints: Still life |
697.34 | Salt prints: Objects |
697.35 | Salt prints: Events |
The fading of salt prints |
697.36 | Photographic Society of London: Fading Committee (1855) |