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HomeContents > Salt prints

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697.01   Improving content on photographic techniques
Introduction
697.02   Early paper prints and their confusing terminology
Examples
697.03   Painted salt prints
697.04   Blanquart-Evrard process prints
697.05   Louis-Désiré Blanquart-Evrard: reproductions of works of art
697.06   Salt prints: Stereo
Photographers
697.07   Henry Fox Talbot: The Pencil of Nature (1844-1846)
697.08   Henry Fox Talbot: Sun Pictures in Scotland (1845)
697.09   Henry Fox Talbot: The Bertoloni Album
697.10   William Henry Fox Talbot: Waxed paper negatives
697.11   Hill & Adamson: Portraits
697.12   Hill & Adamson: A Series of Calotype Views - St. Andrews (1846)
697.13   Hill & Adamson: Scottish presbyterians
697.14   Hill & Adamson: Disruption of the Church of Scotland (1843)
697.15   Hill & Adamson: Newhaven
697.16   Auguste Salzmann: Jerusalem
697.17   John Beasly Greene: Le Nil (1854)
697.18   John Stewart: Pyrenees (1850s)
697.19   Pompeo Bondini: Italy
697.20   Roger Fenton: Russia (1852)
697.21   George Robinson Fardon: San Francisco Album. Photographs of the Most Beautiful Views and Public Buildings of San Francisco (1856-1857)
697.22   Louis-Camille d'Olivier: Nudes
697.23   Exhibition of the Works of Industry of All Nations, 1851 (1852)
Themes
697.24   Salt prints: Backgrounds
697.25   Salt prints: Exteriors
697.26   Salt prints: Portraits
697.27   Salt prints: Occupations and roles
697.28   Salt prints: Military
697.29   Salt prints: Objects
697.30   Salt prints: Panoramas
697.31   Salt prints: Still life
The fading of salt prints
697.32   Photographic Society of London: Fading Committee (1855)
 
  
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A wider gazeRelated topics 
  
Calotypes 
Imprimerie photographique Blanquart-Evrard 
 
  
 
  
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