Introduction |
688.01 | Introduction to the calotype |
688.02 | Early paper prints and their confusing terminology |
688.03 | Paper negatives and paper mills |
Themes |
688.04 | Calotypes: Still life |
688.05 | Calotypes: Portraits |
688.06 | Calotypes: Exteriors |
688.07 | Calotypes: Art |
Painted calotypes |
688.08 | Painted calotypes |
Photographers |
688.09 | Henry Fox Talbot: The Oriel Window, South Gallery, Lacock Abbey |
688.10 | Henry Fox Talbot: The Pencil of Nature (1844-1846) |
688.11 | Henry Fox Talbot: Sun Pictures in Scotland (1845) |
688.12 | Hill & Adamson: Calotypes (1843-1847) |
688.13 | Hill & Adamson: Disruption of the Church of Scotland (1843) |
688.14 | Hill & Adamson: A Series of Calotype Views - St. Andrews (1846) |
688.15 | Hill & Adamson: Newhaven |
688.16 | William Sterling: Annals of the Artists of Spain (1848) |
688.17 | Comte Frederic Flacheron: Rome |
688.18 | Giacomo Caneva: Rome |
688.19 | Victor Prevost: Paper negatives (ca 1853) |
688.20 | Julien Vallou de Villeneuve: Negatives |
688.21 | W. & F. Langenheim: Calotypes and salt prints |
688.22 | John Shaw Smith: Calotypes |
688.23 | Félix Teynard: Egypt and Nubia: Negatives |
688.24 | François Joseph Edouard de Campigneules: Calotypes (ca 1858) |
688.25 | Édouard Delessert: Ile de Sardaigne: Cagliari et Sassari, 40 Vues Photographiques (1854) |
688.26 | Richard Banner Oakeley: The Pagoda of Hallibeed (1859) |
688.27 | Louis-Pierre-Théophile Dubois de Nehaut: Belgian cityscapes |
688.28 | Louis-Pierre-Théophile Dubois de Nehaut: Portraits |
Compilations |
688.29 | Nicolaas Henneman: Talbotypes or Sun Pictures, Taken From The Actual Objects Which They Represent (1847) |
Studios and printing works |
688.30 | Nicolaas Henneman: The Reading Establishment - Talbot House |
Blanquart-Evrard process |
688.31 | Blanquart-Evrard process prints |
Fading |
688.32 | Punch (1847) on fading photographs and fading love |
688.33 | Photographic Society of London: Fading Committee (1855) |