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HomeContentsThemes > Cliché-verre


Information requests
682.01   Improving content on photographic techniques
682.02   Cliché verre
This theme includes example sections and will be revised and added to as we proceed. Suggestions for additions, improvements and the correction of factual errors are always appreciated. 
Status: Collect > Document > Analyse > Improve
Information requests 
682.01   Process and product >  Improving content on photographic techniques 
We are seeking to expand the themes covering photographic techniques and processes. These sections will include:
  • Invention of the process
  • Any related patents
  • Trade literature
  • Contemporary advertisements and announcements of the innovation
  • A description of the process and its variants
  • Historical examples and details of where examples can be located in public collections
  • Contemporary examples by photographers using the exact process.
Conservation will not initially be included but may be in the future if required.
682.02   Process and product >  Cliché verre 
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Cliché-verre[1] [Fr.] literally translated means "glass picture' and is a technique that combines art and photography and was used mainly by French artists including Jean Baptiste Corot,[2] Jean François Millet,[3] and Charles François Daubigny.[4] It was normally done by using a smoking candle to coat a glass plate with soot. The desired picture was then drawn with a sharp instrument directly into the blackened surface and the resulting plate was used as a photographic negative and contact printed. Although mainly used in the 1860s the cliché verre technique has also be used by György Kepes[5] and Abelardo Morell.[6] 

  1. Λ Elizabeth Glassman & Marilyn F. Symmes, 1980, Cliché-verre: Hand-Drawn, Light-Printed: A Survey of the Medium from 1839 to the Present, (Detroit: The Detroit Institute of Arts) 
  2. Λ Gary Tinterow, 1996, Corot, (Metropolitan Museum of Art) 
  3. Λ Alexandra R. Murphy, 1999, Jean-François Millet: Drawn Into the Light, (Yale University Press) 
  4. Λ  Michael Marlais, 2004, Valenciennes, Daubigny, and the Origins of French Landscape Painting, ( Pennsylvania State University Press) 
  5. Λ G. Kepes, et al., 1995, Language of Vision: Fundamentals of Bauhaus Design, (Mineola, NY: Dover Publications) [Reprint]; Gyorgy Kepes, 1984, Light Graphics, (New York: International Center of Photography) isbn-10: 0933642059 isbn-13: 978-0933642058 [Exhibition catalogue]; Gyorgy Kepes, & Marjorie Supovitz (ed.), 1978, Gyorgy Kepes: The MIT Years 1945-1977, (The MIT Press) 
  6. Λ Abelardo Morell: Cliché-verres


HomeContents > Further research

General reading 
Glassman, Elizabeth & Symmes, Marilyn F., 1980, Cliché-verre: Hand-Drawn, Light-Printed: A Survey of the Medium from 1839 to the Present, (Detroit: The Detroit Institute of Arts) [Δ
If you feel this list is missing a significant book or article please let me know - Alan - 

HomeContentsPhotographers > Photographers worth investigating

Jean Baptiste Corot  (1796-1875) • Charles François Daubigny  (1817-1878) • György Kepes  (1906-2001) • Abelardo Morell  (1948-)
HomeTechniquesProcess and product > Cliché-verre 
A wider gazeRelated topics 
Experimental and manipulated photography 

HomeContentsOnline exhibitions > Cliché-verre

Please submit suggestions for Online Exhibitions that will enhance this theme.
Alan -

ThumbnailCliché verre 
Title | Lightbox | Checklist
Released (May 25, 2012)

HomeVisual indexes > Cliché-verre

Please submit suggestions for Visual Indexes to enhance this theme.
Alan -

ThumbnailCharles François Daubigny: Cliché-verre 
About this photographer | Photographs by this photographer 
ThumbnailJean Baptiste Corot: Cliché-verre 
About this photographer | Photographs by this photographer 
Refreshed: 13 November 2014, 21:10
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