Introduction |
407.01 | Introduction to Surrealism |
407.02 | Surrealism: Ancestral images of the bizarre |
407.03 | Dada |
407.04 | Surrealism: Photographers and artists |
Publications |
407.05 | Surrealism: Publications |
407.06 | Minotaure |
Exhibitions |
407.07 | Surrealist exhibitions |
Photographers and artists |
407.08 | Salvador Dali |
407.09 | Eli Lotar: Le Theatre Alfred Jarry et l’Hostilite Publique (1930) |
407.10 | Hans Bellmer: La Poupée |
407.11 | Marcel Duchamp: The Bride Stripped Bare by Her Bachelors, Even (created 1915-1923) |
407.12 | Brassaï: Graffiti |
407.13 | Man Ray: 1929 |
407.14 | Man Ray: Facile (1935) |
407.15 | Man Ray: Rayograms |
407.16 | Man Ray: Electricité (1931) |
407.17 | Man Ray: Solarized nudes |
407.18 | Dora Maar: Le Simulateur - The Simulator - The Pretender |
407.19 | Roger Parry: Banalité (1930) |
407.20 | Georges Hugnet: Surrealism |
407.21 | Raoul Ubac: Surrealism |
407.22 | Milos Korecek: Abstractions (Fokalke) |
407.23 | Bill Brandt: Distortions |
407.24 | André Kertész: Distortions |
407.25 | Manuel Alvarez Bravo: Lucrecia - Classic Theme |
407.26 | Manuel Alvarez Bravo: Good Reputation Sleeping (La Buena Fama Durmiendo) |
407.27 | Maurice Tabard: Multiple exposures and solarizations |
407.28 | Roland Penrose: The Road is Wider Than Long - An Image Diary from the Balkans July - August 1938 (1939) |
407.29 | Angus McBean: Christmas cards |
407.30 | Val Telberg: Photomontages |
Film |
407.31 | Surrealism and filmmaking |
407.32 | Jean Cocteau: Le Sang d'un Poète |
Continuation |
407.33 | Surrealism: The continuation |
407.34 | Melvin Sokolsky: The bubble series (1963) |
407.35 | Jerry Uelsmann: Trees |
407.36 | Maggie Taylor: Landscape of Dreams |
407.37 | Joan Fontcuberta: Fabricated sciences and alternative histories |
407.38 | Paul Biddle: The Archipelago of Fantasy Islands |