| Introduction |
| 407.01 | Introduction to Surrealism |
| 407.02 | Surrealism: Ancestral images of the bizarre |
| 407.03 | Dada |
| 407.04 | Surrealism: Photographers and artists |
| Publications |
| 407.05 | Surrealism: Publications |
| 407.06 | Minotaure |
| Exhibitions |
| 407.07 | Surrealist exhibitions |
| Photographers and artists |
| 407.08 | Salvador Dali |
| 407.09 | Eli Lotar: Le Theatre Alfred Jarry et l’Hostilite Publique (1930) |
| 407.10 | Hans Bellmer: La Poupée |
| 407.11 | Marcel Duchamp: The Bride Stripped Bare by Her Bachelors, Even (created 1915-1923) |
| 407.12 | Brassaï: Graffiti |
| 407.13 | Man Ray: 1929 |
| 407.14 | Man Ray: Facile (1935) |
| 407.15 | Man Ray: Rayograms |
| 407.16 | Man Ray: Electricité (1931) |
| 407.17 | Man Ray: Solarized nudes |
| 407.18 | Dora Maar: Le Simulateur - The Simulator - The Pretender |
| 407.19 | Roger Parry: Banalité (1930) |
| 407.20 | Georges Hugnet: Surrealism |
| 407.21 | Raoul Ubac: Surrealism |
| 407.22 | Milos Korecek: Abstractions (Fokalke) |
| 407.23 | Bill Brandt: Distortions |
| 407.24 | André Kertész: Distortions |
| 407.25 | Manuel Alvarez Bravo: Lucrecia - Classic Theme |
| 407.26 | Manuel Alvarez Bravo: Good Reputation Sleeping (La Buena Fama Durmiendo) |
| 407.27 | Maurice Tabard: Multiple exposures and solarizations |
| 407.28 | Roland Penrose: The Road is Wider Than Long - An Image Diary from the Balkans July - August 1938 (1939) |
| 407.29 | Angus McBean: Christmas cards |
| 407.30 | Val Telberg: Photomontages |
| Film |
| 407.31 | Surrealism and filmmaking |
| 407.32 | Jean Cocteau: Le Sang d'un Poète |
| Continuation |
| 407.33 | Surrealism: The continuation |
| 407.34 | Melvin Sokolsky: The bubble series (1963) |
| 407.35 | Jerry Uelsmann: Trees |
| 407.36 | Maggie Taylor: Landscape of Dreams |
| 407.37 | Joan Fontcuberta: Fabricated sciences and alternative histories |
| 407.38 | Paul Biddle: The Archipelago of Fantasy Islands |
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