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HomeContents > Weimar Germany (1919-1933)

 
 
Vivienne Silver-Brody, Tim Gidal, Jerusalem, 1994, Gelatin silver print, Silver Print Gallery and Archive, LL/40769
 
Weimar Germany (1919-1933)
Contents
Introduction
363.01   The aftermath of the First World War in Germany
363.02   Cultural innovation in Weimar Germany
Cinema
363.03   German expressionism
363.04   Fritz Lang: M (1931)
363.05   German Expressionism: Vampyr (1932)
363.06   Fritz Lang: The Testament of Dr. Mabuse (1933)
363.07   Carl Mayer & Hans Janowitz: The Cabinet of Dr. Caligari (1920)
Photojournalism
363.08   German illustrated magazines during the First World War
363.09   AIZ - Arbeiter Illustrierte Zeitung
363.10   Photojournalists in Weimar Germany
363.11   Erich Salomon on press photography
Bauhaus
363.12   Bauhaus
363.13   László Moholy-Nagy: Photograms
363.14   Laszlo Moholy-Nagy: Viewpoints
New Objectivity
363.15   Introduction to New Objectivity
363.16   August Sander: Portraits
Legacy
363.17   The legacy of Weimar as photojournalists left Germany
 
  
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HomeThemesPhotojournalismHistory of photojournalism > Weimar Germany (1919-1933) 
A wider gazeRelated topics 
  
AIZ - Arbeiter Illustrierte Zeitung 
Bauhaus 
Film und Foto 
Germany 
New Objectivity - Neue Sachlichkeit 
Political collage in Weimar Germany 
 
  
 
  
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