Alexander Rodchenko, John Heartfield, Moscow, 1931, Gelatin silver print, National Gallery of Canada / Musée des beaux-arts du Canada, © Stiftung Archiv der Akademie der Kunste, Berlin, John-Heartfield-Archiv, No. 589, Courtesy of the National Gallery of Canada, LL/6739 |
Weimar Germany (1919-1933)
Contents| Introduction | | 363.01 | The aftermath of the First World War in Germany | | 363.02 | Cultural innovation in Weimar Germany | | Cinema | | 363.03 | German expressionism | | 363.04 | Fritz Lang: M (1931) | | 363.05 | German Expressionism: Vampyr (1932) | | 363.06 | Fritz Lang: The Testament of Dr. Mabuse (1933) | | 363.07 | Carl Mayer & Hans Janowitz: The Cabinet of Dr. Caligari (1920) | | Photojournalism | | 363.08 | German illustrated magazines during the First World War | | 363.09 | AIZ - Arbeiter Illustrierte Zeitung | | 363.10 | Photojournalists in Weimar Germany | | 363.11 | Erich Salomon on press photography | | Bauhaus | | 363.12 | Bauhaus | | 363.13 | László Moholy-Nagy: Photograms | | 363.14 | Laszlo Moholy-Nagy: Viewpoints | | New Objectivity | | 363.15 | Introduction to New Objectivity | | 363.16 | August Sander (1876-1964) | | Legacy | | 363.17 | The legacy of Weimar as photojournalists left Germany |
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