Introduction |
265.01 | Introduction to sequences and series |
Sequences for documentation |
265.02 | Thomas Easterly: The Destruction of Big Mound (1853-1854) |
265.03 | Joseph Cundall: Construction of the Great Eastern at John Scott Russell's Yard, Milwall (1855-1856) |
265.04 | Louis-Emile Durandelle: Eiffel Tower (1887-1889) |
265.05 | William A. Garnett: Aerial views of Californian suburbia |
Sequences for literature |
265.06 | Meade Brothers Studio: Seven Ages of Man (ca 1860) |
Sequences for documentation / fine art |
265.07 | Nicholas Nixon: The Brown Sisters |
265.08 | Jan Saudek: The Story of Flowers (ca 1987) |
Sequences for photojournalism |
265.09 | Paul Nadar: Interview with Michel-Eugène Chevreul (8 September 1886) |
265.10 | Dorothea Lange: The Migrant Mother |
Sequences for social propaganda |
265.11 | Thomas Barnardo: Children Reclaimed for LIfe |
Sequences for narrative |
265.12 | Hill & Adamson: Narrative sequence - In pensive mood (1845) |
265.13 | Henry Peach Robinson: Little Red Riding Hood |
265.14 | C. Eckenrath: Hansel & Gretel |
Sequences for titillation |
265.15 | Erotica: Comment me preferez vous? [How would you like to see me?] |
265.16 | Erotica: La Soubrette [The Maid] |
Fotonovelas |
265.17 | Introduction to Fotonovelas |