Introduction |
205.01 | Introduction to photography by, and of, African Americans |
Slavery |
205.02 | Slavery in America |
205.03 | J.T. Zealy: African American slaves |
205.04 | The scourged back |
205.05 | Southworth and Hawes: The Branded Hand of Captain Jonathan Walker |
205.06 | Abolitionists |
205.07 | Roles and representation of African Americans in nineteenth century photography |
205.08 | Emancipated slaves in the USA |
205.09 | The Unknown Sitter - African American Portraits of the 1860s-1880s |
Photo postcards |
205.10 | Real photo postcards: African Americans |
Photographers |
205.11 | Francis Benjamin Johnston: Hampton Album (1899-1900) |
205.12 | James Van der Zee: Harlem |
205.13 | Julian Dimock: African-Americans in South Carolina (1904-1905) |
205.14 | Doris Ulmann: Roll, Jordan, Roll (1933) |
205.15 | Aaron Siskind: Harlem Document (1932-1940) |
Race hatred and prejudice |
205.16 | The Klu Klux Klan and race hated in America |
205.17 | A symbol of race hatred - lynchings in America |
Civil rights |
205.18 | Martin Luther King Jr. |
205.19 | Danny Lyon: Memories of the Southern Rights Movement (1962-1964) |
205.20 | Ernest Withers: The struggle for civil rights in the USA |
Robert Mapplethorpe and the black body |
205.21 | Robert Mapplethorpe: Black bodies |
Contemporary issues |
205.22 | Hank Willis Thomas: Unbranded, Reflections in Black by Corporate America 1968–2008 |