| Introduction |
| 200.01 | Introduction to fabricated realities |
| 200.02 | Introduction to backgrounds and foregrounds |
| 200.03 | Mimicing art within Pictorialism |
| 200.04 | Dioramas in Natural History Museums |
| 200.05 | Landscapes: Fantasy |
| Stereoviews |
| 200.06 | Stereoviews: Diableries |
| Incongruous backgrounds and inappropriate props |
| 200.07 | Backgrounds: Incongruous |
| 200.08 | Inappropriate studio props |
| Legal implcations |
| 200.09 | The Death of Chatterton |
| Photographers |
| 200.10 | Louis Jacques Mandé Daguerre: Dioramas |
| 200.11 | Bamforth & Co.: The Quarryman's Resolve (1900) |
| 200.12 | Joan Fontcuberta: Fabricated sciences and alternative histories |
| 200.13 | John Divola: Zuma |
| 200.14 | John Divola: Continuity - Film set photographs of bars |
| 200.15 | Sandy Skoglund: Installations and visions |
| 200.16 | Laurie Simmons: Fabicated realities and the exploration of gender |
| 200.17 | Roger Ballen: Shadow Chamber |
| 200.18 | Julie Blackmon: Domestic Vacations and other series |
| 200.19 | Thomas Demand: Three dimensional sculptural forms |
| 200.20 | David Levinthal: Series |
| 200.21 | Oliver Boberg: Distilled realities |
| 200.22 | Carl Zimmerman: Cold City |
| 200.23 | Lori Nix: Accidentally Kansas |
| 200.24 | Paolo Ventura: Italian fabricated realities |
| 200.25 | Thomas Allen: Uncovered |
| 200.26 | Sarah Hobbs: Small Problems in Living |
| 200.27 | Cortis & Sonderegger: Fabricated realities |
| An early case of fraud using models |
| 200.28 | Mrs. Gladys Maud Cockburn-Lange and her faked First World War dogfight photographs |
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