Introduction |
200.01 | Introduction to fabricated realities |
200.02 | Introduction to backgrounds and foregrounds |
200.03 | Mimicing art within Pictorialism |
200.04 | Dioramas in Natural History Museums |
200.05 | Landscapes: Fantasy |
Stereoviews |
200.06 | Stereoviews: Diableries |
Incongruous backgrounds and inappropriate props |
200.07 | Backgrounds: Incongruous |
200.08 | Inappropriate studio props |
Legal implcations |
200.09 | The Death of Chatterton |
Photographers |
200.10 | Louis Jacques Mandé Daguerre: Dioramas |
200.11 | Bamforth & Co.: The Quarryman's Resolve (1900) |
200.12 | Joan Fontcuberta: Fabricated sciences and alternative histories |
200.13 | John Divola: Zuma |
200.14 | John Divola: Continuity - Film set photographs of bars |
200.15 | Sandy Skoglund: Installations and visions |
200.16 | Laurie Simmons: Fabicated realities and the exploration of gender |
200.17 | Roger Ballen: Shadow Chamber |
200.18 | Julie Blackmon: Domestic Vacations and other series |
200.19 | Thomas Demand: Three dimensional sculptural forms |
200.20 | David Levinthal: Series |
200.21 | Oliver Boberg: Distilled realities |
200.22 | Carl Zimmerman: Cold City |
200.23 | Lori Nix: Accidentally Kansas |
200.24 | Paolo Ventura: Italian fabricated realities |
200.25 | Thomas Allen: Uncovered |
200.26 | Sarah Hobbs: Small Problems in Living |
200.27 | Cortis & Sonderegger: Fabricated realities |
An early case of fraud using models |
200.28 | Mrs. Gladys Maud Cockburn-Lange and her faked First World War dogfight photographs |