| Improving content |
| 10088.01 | Improving content on contemporary photographers |
| Introduction |
| 10088.02 | Introduction to photography in Germany |
| Nineteenth century photography in Germany |
| 10088.03 | Daguerreotypes: Germany |
| 10088.04 | Daguerreotype manuals and instructions: Germany |
| 10088.05 | Salt prints: Germany |
| 10088.06 | City of Hamburg fire (1842) |
| 10088.07 | Bertha Wehnert-Beckmann: Portraits |
| 10088.08 | Alois Löcherer: The statue of Bavaria, Munich (1844-1850) |
| 10088.09 | Germany: Photography magazines and journals |
| 10088.10 | Leopold Ahrendts: Berlin |
| 10088.11 | Carl Hermann Günther: Coronation ceremony of the King of Prussia (1861) |
| 10088.12 | Franco-Prussian War (1870-1871): Introduction |
| 10088.13 | Erinnerung an Oberammergau 1890 (Souvenir of Oberammergau 1890) |
| 10088.14 | Waldemar Franz Herman Titzenthaler: Types of German Workers |
| The German royal family |
| 10088.15 | The German royal family |
| Cities |
| 10088.16 | Germany: Nuremberg |
| Pictorialism in Germany |
| 10088.17 | Pictorialism in Germany |
| First World War |
| 10088.18 | German illustrated magazines during the First World War |
| Weimar Germany |
| 10088.19 | The aftermath of the First World War in Germany |
| 10088.20 | Cultural innovation in Weimar Germany |
| 10088.21 | Film und Foto - FiFo (1929) |
| 10088.22 | German expressionism |
| 10088.23 | German Expressionism: Vampyr (1932) |
| 10088.24 | Ross Verlag: Publisher of real photographic postcards |
| 10088.25 | Mannesmannröhrenwerke A. G., Komotau. 1888-1925; Neuanlagen und Umbauten, ab 1920 (ca. 1929) |
| 10088.26 | Political collage in Weimar Germany |
| 10088.27 | John Heartfield: Political photomontages |
| 10088.28 | AIZ - Arbeiter Illustrierte Zeitung |
| 10088.29 | Photojournalists in Weimar Germany |
| 10088.30 | The legacy of Weimar as photojournalists left Germany |
| 10088.31 | Paul Citroen: Metropolis |
| 10088.32 | Bauhaus |
| 10088.33 | Introduction to New Objectivity |
| 10088.34 | Erich Retzlaff: Book covers |
| The Rise of Fascism and Nazi Germany |
| 10088.35 | The photographic portrayal of Adolf Hitler |
| 10088.36 | Heinrich Hoffmann: Portraits of Adolf Hitler |
| 10088.37 | Adolf Hitler - Nazi propaganda series |
| 10088.38 | Heinrich Hoffmann (Editor) & Josef Bürckel (Foreword): Hitler holt die Saar heim (1938) |
| 10088.39 | Leni Riefenstahl: The creation of the myths of National Socialism |
| 10088.40 | Nazi suicides in Leipzig, Germany (1945) |
| 10088.41 | Yevgeny Khaldei: Soldiers raising the flag of Soviet Union on the roof of Reichstag building in Berlin (2 May 1945) |
| 10088.42 | The Holocaust: Death camps |
| Photographers |
| 10088.43 | Karl Blossfeldt (1865-1952) |
| 10088.44 | August Sander (1876-1964) |
| 10088.45 | August Sander: Cologne |
| 10088.46 | Albert Renger-Patzsch: Die Welt ist schön |
| 10088.47 | Albert Renger-Patzsch: Ruhrchemie factory, Oberhausen-Holten, Germany |
| 10088.48 | Albert Renger-Patzsch: Schubert & Salzer - Textile machinery - Ingolstadt |
| 10088.49 | Albert Renger-Patzsch: Bilder aus der Landschaft zwischen Ruhr und Möhne (1957) |
| Post-War Germany |
| 10088.50 | Introduction to Fotoform |
| 10088.51 | Introduction to subjective photography |
| 10088.52 | The Berlin Wall |
| 10088.53 | Anders Petersen: Café Lehmitz |
| 10088.54 | Peter Keetman: Volkswagen Factory, Wolfsburg (1953) |
| 10088.55 | Heinrich Riebesehl: Agrarlandschaften |
| 10088.56 | Gabriele and Helmut Nothhelfer: The first exhibition "Bali-Kino" Berlin (October 1974) |
| 10088.57 | Gabriele and Helmut Nothhelfer: What‘s our Concern with Strangers? |
| Dusseldorf School |
| 10088.58 | Dusseldorf School |
| 10088.59 | Bernd & Hilla Becher: Typologies |
| Contemporary projects |
| 10088.60 | The Trashcam Project - Hamburg, Germany (2012) |
| Photobooks |
| 10088.61 | German photobooks |
| 10088.62 | Albert Renger-Patzsch: Books |
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