Introduction |
10088.01 | Introduction to photography in Germany |
Nineteenth century photography in Germany |
10088.02 | Dr Franz von Kobell & Carl August von Steinheil: Germany: Munich (1839) |
10088.03 | Daguerreotypes: Germany |
10088.04 | Daguerreotype manuals and instructions: Germany |
10088.05 | Salt prints: Germany |
10088.06 | City of Hamburg fire (1842) |
10088.07 | Bertha Wehnert-Beckmann: Portraits |
10088.08 | Alois Löcherer: The statue of Bavaria, Munich (1844-1850) |
10088.09 | Germany: Photography magazines and journals |
10088.10 | Leopold Ahrendts: Berlin |
10088.11 | Carl Hermann Günther: Coronation ceremony of the King of Prussia (1861) |
10088.12 | S.P. Christmann: Germany [Stereoview series] |
10088.13 | J.F. Stiehm: Ansichten von Deutschland [Series] |
10088.14 | Anselm Schmitz: The Rhine and its Environs [Series] |
10088.15 | William England: Views of the Rhine and Its Vicinity / Der Rhein und seine Umgebungen [Series] |
10088.16 | Adolphe Braun: Allemagne [Series] |
10088.17 | Franco-Prussian War (1870-1871): Introduction |
10088.18 | Erinnerung an Oberammergau 1890 (Souvenir of Oberammergau 1890) |
10088.19 | Waldemar Franz Herman Titzenthaler: Types of German Workers |
The German royal family |
10088.20 | Royal family of Germany |
Cities |
10088.21 | Germany: Berlin |
10088.22 | Germany: Cologne |
10088.23 | Germany: Hamburg |
10088.24 | Germany: Heidelberg |
10088.25 | Germany: Munich |
10088.26 | Germany: Nuremberg |
Pictorialism in Germany |
10088.27 | Pictorialism in Germany |
10088.28 | Hugo Erfurth: Portraits |
First World War |
10088.29 | German illustrated magazines during the First World War |
Weimar Germany |
10088.30 | The aftermath of the First World War in Germany |
10088.31 | Cultural innovation in Weimar Germany |
10088.32 | Film und Foto - FiFo (1929) |
10088.33 | German expressionism |
10088.34 | German Expressionism: Vampyr (1932) |
10088.35 | Ross Verlag: Publisher of real photographic postcards |
10088.36 | Mannesmannröhrenwerke A. G., Komotau. 1888-1925; Neuanlagen und Umbauten, ab 1920 (ca. 1929) |
10088.37 | Political collage in Weimar Germany |
10088.38 | John Heartfield: Political photomontages |
10088.39 | AIZ - Arbeiter Illustrierte Zeitung |
10088.40 | Photojournalists in Weimar Germany |
10088.41 | The legacy of Weimar as photojournalists left Germany |
10088.42 | Paul Citroen: Metropolis |
10088.43 | Bauhaus |
10088.44 | Introduction to New Objectivity |
10088.45 | Erich Retzlaff: Book covers |
The Rise of Fascism and Nazi Germany |
10088.46 | The photographic portrayal of Adolf Hitler |
10088.47 | Heinrich Hoffmann: Portraits of Adolf Hitler |
10088.48 | Adolf Hitler - Nazi propaganda series |
10088.49 | Heinrich Hoffmann (Editor) & Josef Bürckel (Foreword): Hitler holt die Saar heim (1938) |
10088.50 | Leni Riefenstahl: The creation of the myths of National Socialism |
10088.51 | Nazi suicides in Leipzig, Germany (1945) |
10088.52 | Yevgeny Khaldei: Soldiers raising the flag of Soviet Union on the roof of Reichstag building in Berlin (2 May 1945) |
10088.53 | The Holocaust: Death camps |
10088.54 | Richard Peter Sr.: Dresden. Eine Kamera klagt an. Ein historisches Dokument (1949) |
Photographers |
10088.55 | Karl Blossfeldt (1865-1952) |
10088.56 | August Sander: Portraits |
10088.57 | August Sander: Cologne |
10088.58 | August Sander: Landscapes |
10088.59 | Hugo Schmölz: German architecture |
10088.60 | Albert Renger-Patzsch: Die Welt ist schön |
10088.61 | Albert Renger-Patzsch: Ruhrchemie factory, Oberhausen-Holten, Germany |
10088.62 | Albert Renger-Patzsch: Schubert & Salzer - Textile machinery - Ingolstadt |
10088.63 | Albert Renger-Patzsch: Bilder aus der Landschaft zwischen Ruhr und Möhne (1957) |
Post-War Germany |
10088.64 | Introduction to Fotoform |
10088.65 | Introduction to subjective photography |
10088.66 | Heinz Hajek-Halke: Experimental photography |
10088.67 | Kurt Wendlandt: Lichtgraphik |
10088.68 | The Berlin Wall |
10088.69 | Anders Petersen: Café Lehmitz |
10088.70 | Peter Keetman: Volkswagen Factory, Wolfsburg (1953) |
10088.71 | Unidentified photographer: Im Pütt (1953) |
10088.72 | Heinrich Riebesehl: Agrarlandschaften |
10088.73 | Gabriele and Helmut Nothhelfer: The first exhibition "Bali-Kino" Berlin (October 1974) |
10088.74 | Gabriele and Helmut Nothhelfer: What‘s our Concern with Strangers? |
Dusseldorf School |
10088.75 | Dusseldorf School |
10088.76 | Bernd & Hilla Becher: Typologies |
Contemporary projects |
10088.77 | The Trashcam Project - Hamburg, Germany (2012) |
Photobooks |
10088.78 | German photobooks |
10088.79 | Albert Renger-Patzsch: Books |