Introduction |
10.01 | Introduction to scientific photography |
10.02 | Introduction to scientific laboratories |
Science and photographic processes |
10.03 | Daguerreotypes: Scientific |
10.04 | Salt prints: Scientific |
10.05 | Albumen prints: Scientific |
10.06 | Stereoviews: Scientific |
10.07 | Gelatin silver prints: Science |
10.08 | Autochromes: Scientific |
Contemporary examples |
10.09 | Contemporary scientific imagery |
Themes |
10.10 | Anthropology |
10.11 | Nineteenth century botany |
10.12 | Isabel Agnes Cowper: Mathematical models made in 1872 by Fabre de Lagrange of Paris, for the South Kensington Museum (1872) |
10.13 | Wilhelm Konrad Röntgen: X-rays |
10.14 | Acoustics |
10.15 | Franz Max Osswald: Sound photographs in architectural models, from Franz Max Osswald's applied acoustics laboratory at ETH Zurich (1930-1933) |
Worlds fairs and international exhibitions |
10.16 | The relationships between science and the World Fairs and International Exhibitions |
Field books |
10.17 | Smithsonian Field Book Project |
Photographs that include data |
10.18 | Photographs that include data |
Photographers |
10.19 | Berenice Abbott: Science |
10.20 | Rose-Lynn Fisher: Bee |
Science and religion |
10.21 | Evolution and the Biblical flood |
Questioning science |
10.22 | Joan Fontcuberta: Fabricated sciences and alternative histories |
Conclusions |
10.23 | Conclusions to scientific photography |