Introduction |
1.01 | Introduction to abstraction |
1.02 | Defining the abstract |
Abstraction before abstraction and unintentional abstracts |
1.03 | Abstraction before abstraction |
1.04 | Photographic test strips |
Abstraction in art |
1.05 | Abstract paintings |
Abstraction in photography |
1.06 | Early examples of photographic abstraction |
1.07 | Photograms and abstraction |
1.08 | Experimental photography |
Abstract realism |
1.09 | Abstract realism |
Contemporary abstraction |
1.10 | Contemporary examples of photographic abstraction |
Photographers |
1.11 | Alvin Langdon Coburn: Vorticism |
1.12 | Alfred Stieglitz: Equivalents |
1.13 | Heinrich Heidersberger: Rhythmograms |
1.14 | Denis Brihat: Abstractions of form |
1.15 | Lotte Jacobi: Photogenics |
1.16 | Harry Callahan: Abstracts |
1.17 | Minor White: Equivalents, similes and visual metaphors |
1.18 | Carl Chiarenza: The nature of Abstraction |
1.19 | Jaroslav Rössler: Abstractions |
1.20 | György Kepes: Abstractions |
1.21 | Heinz Hajek-Halke: Experimental photography |
1.22 | Milos Korecek: Abstractions (Fokalke) |
1.23 | Ladislav Postupa: Experimental vision |
1.24 | Herbert Strässer: Abstracts - Foto-Grafik |
1.25 | Henry Holmes Smith: Colour abstractions |
1.26 | Barbara Kasten: Polaroid polacolor prints |
1.27 | Don Jim: Urban Artifax |
1.28 | Ellen Carey: Pulls |
1.29 | Thomas Ruff: Substrat |
Concluding thoughts |
1.30 | Conclusions on abstract photography |