Luminous-Lint - for collectors and connoisseurs of fine photography
HOME  BACK>>> Subscriptions <<< | Testimonials | Login | FREE NEWSLETTER

Getting around

 

HomeContentsVisual IndexesOnline ExhibitionsPhotographersGalleries and DealersThemes
AbstractEroticaFashionLandscapeNaturePhotojournalismPhotomontagePictorialismPortraitScientificStill lifeStreetWar
CalendarsTimelinesTechniquesLibrarySupport 
 

HomeContentsCommentaries > Colin Westerbeck: Photo Synthesis

Articles

 
Tim HawkinsonOctopus
Cindy ShermanUntitled Film Still #82
Robert Glenn KetchumLakeshore in Morning Fog
Abelardo MorellCamera Obscura Image of the Grand Tetons in Resort Room, Jackson Hole, Wyoming
John SanchezRachel Rosenthal, Artist
Mitch EpsteinBuena Vista, Colorado
Leland RiceVolkswagen With Figure
Catherine WagnerThe Lamps of 1900
Ned SloaneTelephone Pole Piece, Los Angeles: Photograph of Kim Jones
Andrew Freeman#3.4.04- Don Becker's Garage & Guesthouse, Independence, California N36O.48.229 - W118O.11.620
Ken Gonzales-DayFranklin Avenue (1920)
Jo Ann CallisMan in Tie
Bruce NaumanBurning Small Fires (Artist Book)
Annie LeibovitzScarlett Johansson, Chateau Marmont, West Hollywood
David MaiselOblivion 1382-52p
Gilbert B. WeingourtTimothy Leary
Richard MisrachUntitled (Ocotillo)
Edward SteichenSylvia Sidney, Hollywood
Ruben OchoaFwy Wall Extraction
Hunter S. Thompson and othersFrom "Gonzo"
Henry WesselLas Vegas No. 15
James FeeEpiphany
John BaldessariFace (with Red Nose): Plus Four Alternate Noses
Anthony HernandezEverything #2
Ansel AdamsGraduation dress
Loretta AyeroffMountain View, Edris Drive
Grant MudfordWalt Disney Concert Hall, Under Construction #7
Frederick SommerStendhal
Tina ModottiInterior of the Church Tower at Tepotzotlan
Henri Cartier-BressonMexico City
Irving PennHell's Angels, San Francisco
William DassonvilleFrom Glacier Point
Christina FernandezFashion International
Mark LaitaAir Traffic Controller, Todd Phipps, Palmdale, California, May 5, 2006
Juggler, Sergey Gripkov, Los Angeles, February 21, 2000
Mark WyseUntitled Landscape
U.S. Air Force 1352nd Photographic Group, Lookout Mountain StationSugar, 1.2 Kilotons, Nevada
Julius ShulmanVon Sternberg Residence, Northridge
Joaquin TrujilloAmy, Los Ninos
Robert HeineckenShiva Manifesting as a Single Mother
Han NguyenTsunami
Melanie EinzigBikram Yoga Instructor, North Beach, San Francisco
John Patrick SalisburyUntitled No. 134
Karen HalversonGamble House Entry
Bill Owens4th of July Parade, Pleasanton, California
Catherine OpieMy Studio, Suzanne's Work
Eliot PorterReflections in Pool, Escalante River, Utah
Adam BartosLos Angeles
Stan HondaFrom the Heart Mountain Barracks Project
Hiromu KiraThe Thinker
Jeff MermelsteinYosemite National Park, California
Lewis BaltzWest Wall, Unoccupied Industrial Structure, 20 Airway Drive, Costa Mesa
Dennis HopperRobert Irwin
Hansel Mieth and Otto HagelS.F. Water Front
Edward BurtynskyOxford Tire Pile #8, Westley, California
Beahan & McPheeAlmond Trees and Flood Irrigation, Oakdale
Larry SultanBoxers, Mission Hills
Isabel GomesBlue Horizon, Santa Rosa Island
Edward WestonCabbage Leaf
Anthony FriedkinOffshore Winds, Zuma Beach
Richard LongDonner Pass Circle: Along a 20 Day Walk from Ebbetts Pass to the North Fork Feather River Sierra Nevada California 2005
John SwopeDorothy McGuire, Beverly Hills
Hans-Christian SchinkLA Night #1
Herve FriendRedlands From Smiley Hill
Joel SternfeldQueen of the Prom, the Range Nightclub, Slab City, California
   
Standard
  
  
Leland Rice 
Volkswagen With Figure 
1968 
  
© Leland Rice; Courtesy the artist and Michael Dawson Gallery 
  
 
LL/18227 
  
Photo Synthesis
Colin Westerbeck
 
"The Visual Dialogue Foundation: Vintage Photographs by Judy Dater, Oliver Gagliani, Leland Rice, and Don Worth, 1968-1978" is at the Michael Dawson Gallery through April 28
 
The conversation that the Visual Dialogue Foundation wanted to strike up was, according to a 1972 statement, between an "older generation" of photographers and younger ones "groping for a position of relevance to geometrically changing times."
 
The wide-angle lens that Leland Rice used for the photograph shows the strain on the geometry. It permitted him to keep the misty landscape - a subject inherited from earlier generations of Northern California photography - in perspective while also capturing the "gothic" effect (as Rice calls it) of the face in the car window. Rice and his contemporaries wanted to make more inclusive images. They stretched not only the photographic frame, but the historical framework in which photography was discussed. To achieve this, Rice has also written essays and curated exhibitions.
 
Half the pictures by Rice in this show were taken through windows, as if, whether he was inside or outside, he needed to bring different points of view together. Like the seeming distortion in the Volkswagen's image, jumps in scale or optical eccentricities in other photographs make you wonder whether he wasn't tripping out in the darkroom. But all these photographs are realities seen in an unaltered state.
 
[Originally published in West Magazine : April 1, 2007, p.9] 
 
 
  
 
  
HOME  BACK>>> Subscriptions <<< | Testimonials | Login | FREE NEWSLETTER
 Facebook LuminousLint 
 Twitter @LuminousLint