Luminous-Lint - for collectors and connoisseurs of fine photography
HOME  BACK>>> Subscriptions <<< | Testimonials | Login | FREE NEWSLETTER

Getting around

 

HomeContentsVisual IndexesOnline ExhibitionsPhotographersGalleries and DealersThemes
AbstractEroticaFashionLandscapeNaturePhotojournalismPhotomontagePictorialismPortraitScientificStill lifeStreetWar
CalendarsTimelinesTechniquesLibrarySupport 
 

HomeContentsCommentaries > Colin Westerbeck: Photo Synthesis

Articles

 
Tim HawkinsonOctopus
Cindy ShermanUntitled Film Still #82
Robert Glenn KetchumLakeshore in Morning Fog
Abelardo MorellCamera Obscura Image of the Grand Tetons in Resort Room, Jackson Hole, Wyoming
John SanchezRachel Rosenthal, Artist
Mitch EpsteinBuena Vista, Colorado
Leland RiceVolkswagen With Figure
Catherine WagnerThe Lamps of 1900
Ned SloaneTelephone Pole Piece, Los Angeles: Photograph of Kim Jones
Andrew Freeman#3.4.04- Don Becker's Garage & Guesthouse, Independence, California N36O.48.229 - W118O.11.620
Ken Gonzales-DayFranklin Avenue (1920)
Jo Ann CallisMan in Tie
Bruce NaumanBurning Small Fires (Artist Book)
Annie LeibovitzScarlett Johansson, Chateau Marmont, West Hollywood
David MaiselOblivion 1382-52p
Gilbert B. WeingourtTimothy Leary
Richard MisrachUntitled (Ocotillo)
Edward SteichenSylvia Sidney, Hollywood
Ruben OchoaFwy Wall Extraction
Hunter S. Thompson and othersFrom "Gonzo"
Henry WesselLas Vegas No. 15
James FeeEpiphany
John BaldessariFace (with Red Nose): Plus Four Alternate Noses
Anthony HernandezEverything #2
Ansel AdamsGraduation dress
Loretta AyeroffMountain View, Edris Drive
Grant MudfordWalt Disney Concert Hall, Under Construction #7
Frederick SommerStendhal
Tina ModottiInterior of the Church Tower at Tepotzotlan
Henri Cartier-BressonMexico City
Irving PennHell's Angels, San Francisco
William DassonvilleFrom Glacier Point
Christina FernandezFashion International
Mark LaitaAir Traffic Controller, Todd Phipps, Palmdale, California, May 5, 2006
Juggler, Sergey Gripkov, Los Angeles, February 21, 2000
Mark WyseUntitled Landscape
U.S. Air Force 1352nd Photographic Group, Lookout Mountain StationSugar, 1.2 Kilotons, Nevada
Julius ShulmanVon Sternberg Residence, Northridge
Joaquin TrujilloAmy, Los Ninos
Robert HeineckenShiva Manifesting as a Single Mother
Han NguyenTsunami
Melanie EinzigBikram Yoga Instructor, North Beach, San Francisco
John Patrick SalisburyUntitled No. 134
Karen HalversonGamble House Entry
Bill Owens4th of July Parade, Pleasanton, California
Catherine OpieMy Studio, Suzanne's Work
Eliot PorterReflections in Pool, Escalante River, Utah
Adam BartosLos Angeles
Stan HondaFrom the Heart Mountain Barracks Project
Hiromu KiraThe Thinker
Jeff MermelsteinYosemite National Park, California
Lewis BaltzWest Wall, Unoccupied Industrial Structure, 20 Airway Drive, Costa Mesa
Dennis HopperRobert Irwin
Hansel Mieth and Otto HagelS.F. Water Front
Edward BurtynskyOxford Tire Pile #8, Westley, California
Beahan & McPheeAlmond Trees and Flood Irrigation, Oakdale
Larry SultanBoxers, Mission Hills
Isabel GomesBlue Horizon, Santa Rosa Island
Edward WestonCabbage Leaf
Anthony FriedkinOffshore Winds, Zuma Beach
Richard LongDonner Pass Circle: Along a 20 Day Walk from Ebbetts Pass to the North Fork Feather River Sierra Nevada California 2005
John SwopeDorothy McGuire, Beverly Hills
Hans-Christian SchinkLA Night #1
Herve FriendRedlands From Smiley Hill
Joel SternfeldQueen of the Prom, the Range Nightclub, Slab City, California
   
Standard
  
  
Hansel Mieth and Otto Hagel 
S.F. Water Front 
1934 
  
Santa Barbara Museum of Art 
© Hansel Mieth and Otto Hagel; courtesy Santa Barbara Museum of Art 
  
 
LL/16169 
  
Photo Synthesis
Colin Westerbeck
 
"Taking Root: A Century of Migrant Workers in California" is on view at the Santa Barbara Museum of Art through Aug. 6. (2006)
 
Jumping ship on the East Coast in 1928, Otto Hagel made his way to San Francisco by hitchhiking and riding the rods. Then, when his sweetheart from Germany, Hansel Mieth, joined him, they worked as pickers, following the fruit crop through California. Radicalized by this experience, they both began taking photographs to document the Depression here.
 
Back in San Francisco by 1934, Hagel became interested in labor conditions on the waterfront that would soon lead to a bloody strike. This photograph is of a shape-up, where men struggled to get slips of paper entitling them to a day's work as stevedores. It's likely that Hagel took it, though who took which pictures was somewhat murky during this period. Because he was an illegal immigrant Mieth wasn't he had to remain in the shadows.
 
In 1937, Mieth was offered a position at Life. At first she refused this "capitalistic magazine," as she called it. She relented, though, after being promised editorial freedom. In the 1940s, Hagel was given legal status that permitted them to work openly as a team. But in the 1950s, they again lost their livelihood after being investigated by the FBI and called before the House Un-American Activities Committee.
 
[Originally published in West Magazine : April 23, 2006, p.15] 
 
 
  
 
  
HOME  BACK>>> Subscriptions <<< | Testimonials | Login | FREE NEWSLETTER
 Facebook LuminousLint 
 Twitter @LuminousLint