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HomeContentsCommentaries > Colin Westerbeck: Photo Synthesis

Articles

 
Tim HawkinsonOctopus
Cindy ShermanUntitled Film Still #82
Robert Glenn KetchumLakeshore in Morning Fog
Abelardo MorellCamera Obscura Image of the Grand Tetons in Resort Room, Jackson Hole, Wyoming
John SanchezRachel Rosenthal, Artist
Mitch EpsteinBuena Vista, Colorado
Leland RiceVolkswagen With Figure
Catherine WagnerThe Lamps of 1900
Ned SloaneTelephone Pole Piece, Los Angeles: Photograph of Kim Jones
Andrew Freeman#3.4.04- Don Becker's Garage & Guesthouse, Independence, California N36O.48.229 - W118O.11.620
Ken Gonzales-DayFranklin Avenue (1920)
Jo Ann CallisMan in Tie
Bruce NaumanBurning Small Fires (Artist Book)
Annie LeibovitzScarlett Johansson, Chateau Marmont, West Hollywood
David MaiselOblivion 1382-52p
Gilbert B. WeingourtTimothy Leary
Richard MisrachUntitled (Ocotillo)
Edward SteichenSylvia Sidney, Hollywood
Ruben OchoaFwy Wall Extraction
Hunter S. Thompson and othersFrom "Gonzo"
Henry WesselLas Vegas No. 15
James FeeEpiphany
John BaldessariFace (with Red Nose): Plus Four Alternate Noses
Anthony HernandezEverything #2
Ansel AdamsGraduation dress
Loretta AyeroffMountain View, Edris Drive
Grant MudfordWalt Disney Concert Hall, Under Construction #7
Frederick SommerStendhal
Tina ModottiInterior of the Church Tower at Tepotzotlan
Henri Cartier-BressonMexico City
Irving PennHell's Angels, San Francisco
William DassonvilleFrom Glacier Point
Christina FernandezFashion International
Mark LaitaAir Traffic Controller, Todd Phipps, Palmdale, California, May 5, 2006
Juggler, Sergey Gripkov, Los Angeles, February 21, 2000
Mark WyseUntitled Landscape
U.S. Air Force 1352nd Photographic Group, Lookout Mountain StationSugar, 1.2 Kilotons, Nevada
Julius ShulmanVon Sternberg Residence, Northridge
Joaquin TrujilloAmy, Los Ninos
Robert HeineckenShiva Manifesting as a Single Mother
Han NguyenTsunami
Melanie EinzigBikram Yoga Instructor, North Beach, San Francisco
John Patrick SalisburyUntitled No. 134
Karen HalversonGamble House Entry
Bill Owens4th of July Parade, Pleasanton, California
Catherine OpieMy Studio, Suzanne's Work
Eliot PorterReflections in Pool, Escalante River, Utah
Adam BartosLos Angeles
Stan HondaFrom the Heart Mountain Barracks Project
Hiromu KiraThe Thinker
Jeff MermelsteinYosemite National Park, California
Lewis BaltzWest Wall, Unoccupied Industrial Structure, 20 Airway Drive, Costa Mesa
Dennis HopperRobert Irwin
Hansel Mieth and Otto HagelS.F. Water Front
Edward BurtynskyOxford Tire Pile #8, Westley, California
Beahan & McPheeAlmond Trees and Flood Irrigation, Oakdale
Larry SultanBoxers, Mission Hills
Isabel GomesBlue Horizon, Santa Rosa Island
Edward WestonCabbage Leaf
Anthony FriedkinOffshore Winds, Zuma Beach
Richard LongDonner Pass Circle: Along a 20 Day Walk from Ebbetts Pass to the North Fork Feather River Sierra Nevada California 2005
John SwopeDorothy McGuire, Beverly Hills
Hans-Christian SchinkLA Night #1
Herve FriendRedlands From Smiley Hill
Joel SternfeldQueen of the Prom, the Range Nightclub, Slab City, California
   
Standard
  
  
Catherine Opie 
My Studio, Suzanne's Work 
2005 
  
Courtesy Catherine Opie and Regen Projects, Los Angeles 
  
 
LL/16174 
  
Photo Synthesis
Colin Westerbeck
 
Catherine Opie's photographs are on view at the Orange County Museum of Art through Sept. 3. (2006)
 
Lulled by the emptiness of the scene, the familiarity of her own backyard and the coolness of various greens in the blue afternoon light, Catherine Opie may not have realized right away that there was a picture here. The spark that made it take fire in her mind was probably that hot pink chair belonging to her son Oliver.
 
An out-of-place, edgewise detail like that is often what attracts a photographer's attention. Wherever that first flicker of recognition came from, it was fanned by the extravagant gesture of the nude in the drawing inside Opie's studio. Because she was working mostly in the darkroom at the time, Opie had lent the studio to her friend Suzanne Wright, who was in town as a visiting artist at UCLA. As the subject of the drawing flings her arm across the room, her left hand throws open the door so violently that the little pink chair is blown over.
 
There is a crazy, unexpected narrative here. It's not uncommon that documentary photographs have been made to tell purely fictitious stories.
 
[Originally published in West Magazine : June 18, 2006 p.15] 
 
 
  
 
  
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