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HomeContentsCommentaries > Colin Westerbeck: Photo Synthesis

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Tim HawkinsonOctopus
Cindy ShermanUntitled Film Still #82
Robert Glenn KetchumLakeshore in Morning Fog
Abelardo MorellCamera Obscura Image of the Grand Tetons in Resort Room, Jackson Hole, Wyoming
John SanchezRachel Rosenthal, Artist
Mitch EpsteinBuena Vista, Colorado
Leland RiceVolkswagen With Figure
Catherine WagnerThe Lamps of 1900
Ned SloaneTelephone Pole Piece, Los Angeles: Photograph of Kim Jones
Andrew Freeman#3.4.04- Don Becker's Garage & Guesthouse, Independence, California N36O.48.229 - W118O.11.620
Ken Gonzales-DayFranklin Avenue (1920)
Jo Ann CallisMan in Tie
Bruce NaumanBurning Small Fires (Artist Book)
Annie LeibovitzScarlett Johansson, Chateau Marmont, West Hollywood
David MaiselOblivion 1382-52p
Gilbert B. WeingourtTimothy Leary
Richard MisrachUntitled (Ocotillo)
Edward SteichenSylvia Sidney, Hollywood
Ruben OchoaFwy Wall Extraction
Hunter S. Thompson and othersFrom "Gonzo"
Henry WesselLas Vegas No. 15
James FeeEpiphany
John BaldessariFace (with Red Nose): Plus Four Alternate Noses
Anthony HernandezEverything #2
Ansel AdamsGraduation dress
Loretta AyeroffMountain View, Edris Drive
Grant MudfordWalt Disney Concert Hall, Under Construction #7
Frederick SommerStendhal
Tina ModottiInterior of the Church Tower at Tepotzotlan
Henri Cartier-BressonMexico City
Irving PennHell's Angels, San Francisco
William DassonvilleFrom Glacier Point
Christina FernandezFashion International
Mark LaitaAir Traffic Controller, Todd Phipps, Palmdale, California, May 5, 2006
Juggler, Sergey Gripkov, Los Angeles, February 21, 2000
Mark WyseUntitled Landscape
U.S. Air Force 1352nd Photographic Group, Lookout Mountain StationSugar, 1.2 Kilotons, Nevada
Julius ShulmanVon Sternberg Residence, Northridge
Joaquin TrujilloAmy, Los Ninos
Robert HeineckenShiva Manifesting as a Single Mother
Han NguyenTsunami
Melanie EinzigBikram Yoga Instructor, North Beach, San Francisco
John Patrick SalisburyUntitled No. 134
Karen HalversonGamble House Entry
Bill Owens4th of July Parade, Pleasanton, California
Catherine OpieMy Studio, Suzanne's Work
Eliot PorterReflections in Pool, Escalante River, Utah
Adam BartosLos Angeles
Stan HondaFrom the Heart Mountain Barracks Project
Hiromu KiraThe Thinker
Jeff MermelsteinYosemite National Park, California
Lewis BaltzWest Wall, Unoccupied Industrial Structure, 20 Airway Drive, Costa Mesa
Dennis HopperRobert Irwin
Hansel Mieth and Otto HagelS.F. Water Front
Edward BurtynskyOxford Tire Pile #8, Westley, California
Beahan & McPheeAlmond Trees and Flood Irrigation, Oakdale
Larry SultanBoxers, Mission Hills
Isabel GomesBlue Horizon, Santa Rosa Island
Edward WestonCabbage Leaf
Anthony FriedkinOffshore Winds, Zuma Beach
Richard LongDonner Pass Circle: Along a 20 Day Walk from Ebbetts Pass to the North Fork Feather River Sierra Nevada California 2005
John SwopeDorothy McGuire, Beverly Hills
Hans-Christian SchinkLA Night #1
Herve FriendRedlands From Smiley Hill
Joel SternfeldQueen of the Prom, the Range Nightclub, Slab City, California
   
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Karen Halverson 
Gamble House Entry 
1998 
  
© Karen Halverson 
  
 
LL/16160 
  
Photo Synthesis
Colin Westerbeck
 
This famous entry to an even more famous house in Pasadena has been photographed many times from both inside and out. But by taking her picture with the door ajar, Karen Halverson makes a sly comment on the architecture that more mundane documentation misses.
 
The partnership of brothers Charles and Henry Greene was in top form in 1908 when they designed this retirement home for an heir to the Procter & Gamble fortune. Encouraged by the Arts and Crafts movement's emphasis on natural materials, Greene & Greene tried to make the transition from outdoors to indoors seamless. The effect was particularly subtle in the tripartite front doors of the Gamble House, which were framed in teak, set back on a wide porch with overhangs and finished in a two-layer laminate of iridescent glass that intensified the light coming through.
 
But as the gnarled oak design in the glass, influenced by Japanese painting, shows, the Greenes' idea of nature was highly stylized. There's a tussle going on between nature and art. To get the correct exposure for the indoor conditions, Halverson had to blow out the glimpse of nature itself that we get outdoors. Nature pales by comparison to the architects' conception of it. This isn't so much a limitation of the photography as an astute observation by the photographer.
 
[Originally published in West Magazine : July 9, 2006, p.13] 
 
 
  
 
  
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