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HomeContentsCommentaries > Colin Westerbeck: Photo Synthesis

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Tim HawkinsonOctopus
Cindy ShermanUntitled Film Still #82
Robert Glenn KetchumLakeshore in Morning Fog
Abelardo MorellCamera Obscura Image of the Grand Tetons in Resort Room, Jackson Hole, Wyoming
John SanchezRachel Rosenthal, Artist
Mitch EpsteinBuena Vista, Colorado
Leland RiceVolkswagen With Figure
Catherine WagnerThe Lamps of 1900
Ned SloaneTelephone Pole Piece, Los Angeles: Photograph of Kim Jones
Andrew Freeman#3.4.04- Don Becker's Garage & Guesthouse, Independence, California N36O.48.229 - W118O.11.620
Ken Gonzales-DayFranklin Avenue (1920)
Jo Ann CallisMan in Tie
Bruce NaumanBurning Small Fires (Artist Book)
Annie LeibovitzScarlett Johansson, Chateau Marmont, West Hollywood
David MaiselOblivion 1382-52p
Gilbert B. WeingourtTimothy Leary
Richard MisrachUntitled (Ocotillo)
Edward SteichenSylvia Sidney, Hollywood
Ruben OchoaFwy Wall Extraction
Hunter S. Thompson and othersFrom "Gonzo"
Henry WesselLas Vegas No. 15
James FeeEpiphany
John BaldessariFace (with Red Nose): Plus Four Alternate Noses
Anthony HernandezEverything #2
Ansel AdamsGraduation dress
Loretta AyeroffMountain View, Edris Drive
Grant MudfordWalt Disney Concert Hall, Under Construction #7
Frederick SommerStendhal
Tina ModottiInterior of the Church Tower at Tepotzotlan
Henri Cartier-BressonMexico City
Irving PennHell's Angels, San Francisco
William DassonvilleFrom Glacier Point
Christina FernandezFashion International
Mark LaitaAir Traffic Controller, Todd Phipps, Palmdale, California, May 5, 2006
Juggler, Sergey Gripkov, Los Angeles, February 21, 2000
Mark WyseUntitled Landscape
U.S. Air Force 1352nd Photographic Group, Lookout Mountain StationSugar, 1.2 Kilotons, Nevada
Julius ShulmanVon Sternberg Residence, Northridge
Joaquin TrujilloAmy, Los Ninos
Robert HeineckenShiva Manifesting as a Single Mother
Han NguyenTsunami
Melanie EinzigBikram Yoga Instructor, North Beach, San Francisco
John Patrick SalisburyUntitled No. 134
Karen HalversonGamble House Entry
Bill Owens4th of July Parade, Pleasanton, California
Catherine OpieMy Studio, Suzanne's Work
Eliot PorterReflections in Pool, Escalante River, Utah
Adam BartosLos Angeles
Stan HondaFrom the Heart Mountain Barracks Project
Hiromu KiraThe Thinker
Jeff MermelsteinYosemite National Park, California
Lewis BaltzWest Wall, Unoccupied Industrial Structure, 20 Airway Drive, Costa Mesa
Dennis HopperRobert Irwin
Hansel Mieth and Otto HagelS.F. Water Front
Edward BurtynskyOxford Tire Pile #8, Westley, California
Beahan & McPheeAlmond Trees and Flood Irrigation, Oakdale
Larry SultanBoxers, Mission Hills
Isabel GomesBlue Horizon, Santa Rosa Island
Edward WestonCabbage Leaf
Anthony FriedkinOffshore Winds, Zuma Beach
Richard LongDonner Pass Circle: Along a 20 Day Walk from Ebbetts Pass to the North Fork Feather River Sierra Nevada California 2005
John SwopeDorothy McGuire, Beverly Hills
Hans-Christian SchinkLA Night #1
Herve FriendRedlands From Smiley Hill
Joel SternfeldQueen of the Prom, the Range Nightclub, Slab City, California
   
Standard
  
  
Robert Glenn Ketchum 
Lakeshore in Morning Fog 
1972/2000 
  
© Robert Glenn Ketchum; courtesy Amon Carter Museum 
  
 
LL/19439 
  
Photo Synthesis
Colin Westerbeck
 
This photograph is in the "Golden Age" exhibition at Rohrer Fine Art, Laguna Beach, through May 31.
 
Though Robert Glenn Ketchum's work has received some museum attention, most recently at the Amon Carter in Texas, it isn't universally appreciated in the art world. His color landscapes are too lush; he's sometimes regarded as a latter-day Pictorialist or calendar artist. Still, he believes in his work unequivocally. He's unapologetic, even defiant, in the face of any rejection. I've always admired that.
 
This photograph was made in 1972 at Lake McDonald in Glacier National Park. But the version you see here was created in 2000 in China, by hand embroidery. A sheer background was laid over the photographic print so that it could be copied with calligraphic brushes. Then traditional embroiderers stitched the image in fine thread on a silk polymer matrix. The only problem the reproduction presented was the rock in the foreground, because all rocks in Chinese embroidery have a prescribed form called Taihu rocks and new improvisations were required.
 
The result is that Ketchum's already vibrant colors are even more intense and insistent. He's done a number of these embroidered reproductions, and I believe this is what he likes about them. They draw upon a tradition that really knows how to appreciate color Pictorialism.
 
[Originally published in West Magazine : May 6, 2007, p.9] 
 
 
  
 
  
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