Luminous-Lint - for collectors and connoisseurs of fine photography
HOME  BACK>>> Subscriptions <<< | Testimonials | Login |

Getting around

 

HomeContentsVisual IndexesOnline ExhibitionsPhotographersGalleries and DealersThemes
AbstractEroticaFashionLandscapeNaturePhotojournalismPhotomontagePictorialismPortraitScientificStill lifeStreetWar
CalendarsTimelinesTechniquesLibrarySupport 
 

Stereographs Project

 
   Introduction 
   Photographers 
      A B C D E F G H  
      I J K L M N O P  
      Q R S T U V W X  
      Y Z  
   Locations 
   Themes 
   Backlists
 

HomeContentsExhibitions > Nazif Topçuoglu: Lamentations

Flatland Gallery 
  
Nazif Topçuoglu: Lamentations 
(March 8 - April 12, 2008)  
  
Photographers included: 
Nazif Topcuoglu 

Flatland Gallery

 
Lange Nieuwstraat 7, Abraham Dolehof 
Utrecht 
The Netherlands 
  
Tel+31 (0) 30 231 51 81
Fax+31 (0) 30 236 84 24
 
  
www.flatlandgallery.com
 
  
 
  
 
  

Press release

 
The world of Turkish photographer Nazif Topçuoglu is a prohibited place where well-groomed high school girls in miniskirts perform adult fantasies with unusual props such as books, compass and microscopes.
 
Sheltered in the cushioned backrooms, boudoirs and libraries of nineteenth century-like mansions, they inspect one another, punish each other or just enjoy a moment of intimacy. Cast as domineering or submissive, sadist or masochistic, they however cannot pain each other -for, we get the intuition that they soon will swap roles.
 
In Topçuoglu's world, Foucault's power-knowledge nexus has turned into harmless games. Whether his women of doubtful youth conquer or surrender, enact rituals of initiations into forbidden pleasures, they do so for our eyes, only.
 
Sometimes referencing famous compositions by Great Masters of the history of art -preferably baroque paintings by, for instance, Caravaggio- Topçuoglu does not only elevate these seemingly soft-erotic depictions to the status of key moments in the existence of women, but elaborates a discourse on the stereotypes of femaleness in canonical representations in the Occidental and Middle Easter arts and literature.
 
Alluring at first sight and interesting in the long term, these works have both the power to bewitch and criticize. Welcome to a delightful theatre, that of innocence -lost and recovered.
 
Catherine Somzé, Amsterdam 2008
 
  
 
  
HOME  BACK>>> Subscriptions <<< | Testimonials | Login |
 Facebook LuminousLint 
 Twitter @LuminousLint