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Robert Frank: London/Wales 
 
  
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Product Details 
  
 
Hardcover 
208 pages 
Scalo Verlag Ac 
Published 2003 
  
New York Times Magazine, By W.S.Di Piero 
  
These remarkable pictures jump alive and insinuate themselves into our consciousness with qualities that later gained notoriety in "The Americans."  
  
 
  
About the Author 
  
Robert Frank was born in Zurich in 1924 to parents of Jewish descent. He immigrated to the United States two years after World War II ended, and since then, he has produced work that changed the history of art and photography. Ground-breaking projects include The Americans, Lines of My Hand, Thank you, Black White and Things, Pull My Daisy, and Cocksucker Blues. Frank was the subject of a major traveling exhibition organized by the National Gallery of Art in 1994. He divides his time between New... read more  
  
 
  
Book Description 
  
Between 1949 and 1953, Robert Frank continually returned to Europe from his new home in New York to take photographs in France, Switzerland, Spain, and Great Britain, photographs that show the development of his uniquely humanist, poetic, and realist eye. In 1951 and early 1952, Frank visited London--"I liked the light, I liked the fog."--and set out to photograph the unique atmosphere of the city. He followed British financiers around the City, capturing them in their traditional top hats and long coats, creating images that depict them in a poetic dance with their fog-shrouded environment. He shot pictures of workers, men delivering coal, children playing on the streets, people waiting or relaxing in the parks, and images of poverty. In these photographs he juxtaposed money and work, wealth and poverty, creating a dynamic photographic project that has never been shown before in its entirety. Then, in March 1953, before the impending nationalization of the country's coal mines, Frank travelled to the town of Careau, in Wales, to photograph the coal miners whose lives revolved around their work. One miner, Ben James, and his family became the subject of a picture essay (originally published in a 1955 issue of U.S. Camera) in which Frank downplayed the classic modernist photographic moment in favor of a more provocative form that offered informal, revealing glances rather than an official document.  
  
In Robert Frank: London/Wales, Frank returns for the first time to these old negatives. The volume explores a stylistic transformation in his work, a period of development which saw his mode of photography move from an innovative romanticism to a highly charged, metaphorical realism. These two consecutive projects, realized in London and Wales between 1951 and 1953, set the stage for his truly groundbreaking documentary, The Americans, completed just a few years later.  
  
You got eyes. --Jack Kerouac writing about photographer Robert Frank  
  
 
  
Introduction by Philip Brookman.  
  
 
  
Hardcover, 9 x 11 in., 208 pages, 90 Tritones illustrations
 
  
 
  

This photographer...

 
  
Black White and Things 
  
Robert Frank
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Thank You 
  
Robert Frank
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Robert Frank: du: Part Two 
  
Robert Frank
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Robert Frank: London/Wales 
  
Robert Frank; & Philip Brookman (Introduction)
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Robert Frank: Hold Still - Keep Going 
  
Robert Frank; Ute Eskildsen (Editor); & Christoph Ribbat
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The Americans 
  
Robert Frank; & Jack Kerouac
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Robert Frank: Come Again 
  
Robert Frank (Photographer)
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Robert Frank: New York to Nova Scotia 
  
Robert Frank (Photographer); Philip Brookman (Essay); Robert Coles (Essay); & Peter C. Marzio (Introduction)
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Robert Frank: Storylines 
  
Robert Frank (Photographer); Philip Brookman (Essay); & Sam Shepard (Essay)
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The pivot of the world: photography and its nation 
  
Blake Stimson (Author)
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