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| Unclassified - A Walker Evans Anthology
     
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Hardcover
280 pages
Scalo Verlag Ac
Published 2000
Amazon.com
Walker Evans, one of the 20th century's most important photographers, was also a talented and prolific writer. Unclassified: A Walker Evans Anthology collects much of the writing that Evans authored in his lifetime and bequeathed to the Metropolitan Museum of Art upon his death. The primarily previously unpublished short stories, poems, criticism--mostly of photography--translations of French literature by the likes of Baudelaire, Cocteau, and Gide, and personal letters offer insight into Evans's aesthetic, cultural, and artistic concerns. Readers learn that Evans admired the objective, journalistic quality of August Sander's portraits of German workers and EugFne Atget's poetic interpretations of Paris, but he held deep disdain for the photos of both Alfred Stieglitz (too "arty") and Edward Steichen (too commercial). What is also evident in these pages is Evans's active interest in the way in which American culture pictures itself. He assiduously collected family photographs taken by his mother, sister, and countless anonymous penny photographers along with picture postcards and snapshots clipped from magazines and newspapers. There are rather personal and emotionally telling writings here, too, including his long-term correspondence with his close friend, the artist Hanns Skolle, in which Evans often describes the details of his daily life along with the larger issues that possessed his thoughts at any given time. A somewhat strange list dated December 26, 1937, is a document of things for which he professed to hold contempt, including "gourmets," "writers," "readers of the New Yorker," and "whatever is meant by the American Spirit."
There are very few photographs in this book, but its visually focused designers include facsimile copies of many of Evans's typed and handwritten papers, which lend it an archeological quality most Evans fans will enjoy. This deeply satisfying anthology includes a sampling from its subject's vast negative archive (around 30,000 frames), replete with his handwritten negative sleeve notes. And, read in concert with a viewing of his photographs (this writer recommends the catalog to the 2000 traveling retrospective), the book offers as complete a view of the master photographer's work and ideas as any Evans admirer could possibly hope for. --Jordana Moskowitz
From Library Journal
Walker Evans, the Metropolitan Museum of Art's catalog to its current major retrospective, is a rock-solid work providing biographical, historical, and visual accounts of the artist's life and work. Hambourg, an assistant curator in the museum's Department of Photography, edited this big book with the straightforward approach that Evans employed in his art. Careful reproduction of well-known black-and-white and little-known color photographs by Evans forms the heart of the volume. There are... read more
Book Description
Edited by Jeff L. Rosenheim. Essays by Jeff L Rosenheim and Douglas Eklund. Introduction by Maria Morris Hambourg.
This book, published on the occasion of the artist's first retrospective exhibition in three decades, presents a selection of mostly unpublished material from the Walker Evans Archive, the vast collection of negatives and papers acquired in 1994 from the artist's estate by The Metropolitan Museum of Art. Evans left to posterity an amazingly rich record of his creative process and inner life. From his earliest boyhood snapshots to the seldom-seen color Polaroids made in the year before his death, Unclassified - A Walker Evans Anthology traces the development of this American master through previously unpublished writings (fiction, diaries, essays, and criticism); his fascinating and copious early correspondence with the German artist, Hanns Skolle (Evan's best friend at the time); and revealing letters from Robert Frank, Lee Friedlander, and Diane Arbus. Previously-unknown photographs from the Metropolitan's collection of 40,000 negatives and transparencies reveal the artist at work. The anthology concludes with telling selections from Evan's seminal collection of vernac |
Manuel Alvarez Bravo, Henri Cartier-Bresson, and Walker Evans.
Documentary and Anti-Graphic Photographs: A Reconstruction of the 1935 Exhibition at the Julien Levy Gallery in New York.
Alvarez Bravo (Photographer); Henri Cartier-Bresson (Photographer); Walker Evans (Photographer); Daniel Giradin (Essay); & Ian Jeffrey (Essay) |  |
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Many Are Called
Walker Evans (Photographer) |  |
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Walker Evans: Signs
Walker Evans (Photographer); Andrei Codrescu; & J. Paul Getty Museum |  |
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Walker Evans: Cuba
Walker Evans (Photographer); Andrei Codrescu; & Judith Keller (Introduction) |  |
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Incognito: Limited Edition
Walker Evans (Photographer); & Leslie Katz (Compiler) |  |
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Walker Evans: Photographs for the Farm Security Administration, 1935-1938: A Catalog of Photographic Prints Available from the Farm Security Admini
Walker Evans (Photographer); & Library of Congress |  |
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Walker Evans: Florida
Walker Evans (Photographer); & Robert Plunket |  |
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Walker Evans: Polaroids
Walker Evans (Photographer); & Jeff L. Rosenheim |  |
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Documenting America, 1935-1943 (Approaches to American Culture, No 2)
Carl Fleischhauer (Editor); Beverly W. Brannan (Editor); & Lawrence W. Levine (Editor) |  |
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Walker Evans Simple Secrets: Photographs from the Collection of Marian and Benjamin A. Hill
Ellen Fleurov; Marian Hill; & High Museum Of Art |  |
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American Photographers of the Depression: Walker Evans, Dorothea Lange and the FSA Photographers (Photofile)
Charles Hagen |  |
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Walker Evans: American Photographs
Lincoln Kirstein; & Walker Evans (Photographer) |  |
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Perfect Documents: Walker Evans and African Art, 1935
Virginia Lee-Webb; & Virginia-Lee Webb |  |
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Walker Evans (Photofile)
Gilles Mora (Introduction); & Walker Evans (Photographer) |  |
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Walker Evans: A Biography
Belinda Rathbone |  |
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Walker Evans (Phaidon 55 S.)
Luc Sante; & Walker Evans |  |
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Walker’s Way: My Years with Walker Evans
Isabelle Storey (Author) |  |
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The Last Years of Walker Evans: A First-Hand Account
Jerry L. Thompson; & Walker Evans |  |
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Reading American Photographs: Images As History: Mathew Brady to Walker Evans
Alan Trachtenberg |  |
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