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| Alfred Stieglitz at Lake George
[Click on the appropriate flag to buy the book] | Product Details Hardcover 112 pages Museum of Modern Art, New York Published 2002 Ingram For more than a decade before World War I, Alfred Stieglitz gave much of his formidable energy to his public career as editor, publisher, proselytizer, and art dealer. In the 1920s and 1930s, he turned again to his own photography, exploring his personal world at Lake George in the New York Adirondacks. Here 65 of the Lake George photographs are splendidly reproduced. 115 illustrations, 65 in tritone, 50 in duotone. --This text refers to an out of print or unavailable edition of this title. About the Author Perhaps no other person has done as much to legitimize the art of photography as did Alfred Stieglitz. Born in 1864 in Hoboken, New Jersey, Stieglitz studied mechanical engineering in Berlin but was always drawn to taking pictures. He won the first of his 150 photography prizes at age 24 in a British competition judged by P.H. Emerson. Returning to New York in 1889, Stieglitz began writing on photography and exhibiting his own work, the most celebrated of which include The Terminal (1893) and ... read more Book Description For more than a decade before World War I, Alfred Stieglitz lent much of his formidable energy to his public career as an editor, publisher, proselytizer, and art dealer. In the 1920s and 30s, he turned again to his own photography, exploring his personal world at Lake George, in the Adirondack mountains of New York, where he spent summers at a family farmhouse. He photographed the things around him--the landscape, the clouds overhead, the intimate life he led with family and friends, including Georgia O'Keefe, Waldo Frank, and Paul Rosenfeld. This body of work, radical and private, is the essential aspect of Stieglitz's achievement as a photographer, and has nowhere else been published as a coherent whole. Essay by John Szarkowski. |
An American Lens: Scenes from Alfred Stieglitz's New York Secession Jay Bochner (Author) |  |
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Painting Gender, Constructing Theory: The Alfred Stieglitz Circle and American Formalist Aesthetics Marcia Brennan |  |
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O'Keeffe and Stieglitz: An American Romance Benita Eisler |  |
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Modern Art and America: Alfred Stieglitz and His New York Galleries Sarah Greenough |  |
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Alfred Stieglitz: The Key Set the Alfred Stieglitz Vol I & II Collection of Photographs.... Sarah Greenough |  |
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Alfred Stieglitz: Photography at the Musée d’Orsay Françoise Heilbrun |  |
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Stieglitz: A Beginning Light Katherine Hoffman |  |
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Stieglitz and the Photo Secession, 1902 William Innes Homer; & Catherine Johnson (Editor) |  |
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Alfred Stieglitz: Scientist, Photographer, and Avatar of Modernism, 1880-1913 (Studies in the Fine Arts) Geraldine Wojno Kiefer |  |
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Stieglitz: A Memoir/Biography Sue Davidson Lowe |  |
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The Photography of Alfred Stieglitz: Georgia O'Keeffe's Enduring Legacy Therese Mulligan (Editor); George Eastman House; & Laura Downey |  |
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In Focus: Alfred Stieglitz: Photographs from the J. Paul Getty Museum Weston Naef; & Alfred Stieglitz |  |
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From Adams to Stieglitz: Pioneers of Modern Photography (Writers and Artists on Photography) Nancy Newhall; & Beaumont Newhall (Introduction) |  |
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Alfred Stieglitz: An American Seer Dorothy Norman |  |
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The Illuminating Mind in American Photography: Stieglitz, Strand, Weston, Adams David P. Peeler |  |
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Georgia O'Keeffe and Alfred Stieglitz Peter-Cornell Richter |  |
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Camera Work: A Pictorial Guide Alfred Stieglitz |  |
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Alfred Stieglitz: Photographs and Writings Alfred Stieglitz |  |
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Alfred Stieglitz: Aperture Masters of Photography Alfred Stieglitz; & Dorothy Norman (Contributor) |  |
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Alfred Stieglitz (Aperture Masters of Photography, No 6) Alfred Stieglitz; & Dorothy Norman (Designer) |  |
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My Dear Stieglitz: Letters of Marsden Hartley and Alfred Stieglitz, 1912-1915 James Timothy Voorhies (Editor); Alfred Stieglitz; & Marsden Hartley |  |
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