|Product Details |
Harry N Abrams
From Publishers Weekly
Director of photographic exhibitions for New York's Museum of Modern Art, Szarkowski in this companion volume to a show traveling nationwide celebrates a camera artist whose pictures for decades elevated the mundane in American life to a distinctive, almost ethereal stature. Random-looking, even disorderly at times, Winogrand's images, his humanistic "figments" of reality, catch the eye in a detached, virtually trance-like mood: a blonde female flight attendant carrying a black child; a couple in a tentative sidewalk embrace seen over the shoulder of a distressed pedestrian; a Maine family trio inexplicably sad and perhaps angry; and the cover shot, a diapered toddler emerging from a dark garage interior toward an over-turned kiddie car in a brooding desert scene. Winogrand (1928-1984), in an era of ferment for artistic photography, produced as many as a half-million film images, many of which are published here for the first time.
Copyright 1988 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
In a manner variously described as manic, compulsive, and voyeuristic, Garry Winogrand produced hundreds of thousands of black-and-white snapshots, street photographs of ordinary people and situations rich in gesture and body language. Szarkowski, director of MOMA's photography department, cultivated Winogrand and, after his death in 1984, was left with the task of editing 6500 rolls of unprinted (and 2500 rolls of undeveloped) 35mm negatives (about 300,000 unedited images altogether). Nine... read more --This text refers to an out of print or unavailable edition of this title.
Back in Print
The first comprehensive overview of the work of Garry Winogrand, long out of print and difficult to come by, contains an eloquent and important essay on the life and work of the photographer by John Szarkowski and a lavish plate section presenting the photographs thematically. Grouped under the following titles-- Eisenhower Years, The Street, Women, The Zoo, On the Road, The Sixties, Etc, The Fort Worth Fat Stock Show and Rodeo, Airport, and Unfinished Work-- many of the 179 plates are works that had never before been published. The last section includes 25 pictures chosen from the enormous body of work that Winogrand left unedited at the time of his death in 1984.
In his essay, Szarkowski, who knew the photographer well during most of his career, describes the development of Winogrand's pictorial strategies during his years as a photojournalist, the increasing complexity of his motifs as he pursued more personal goals, and the challenge posed for other photographers by the powerful and distinctive authority of Winogrand's best work, "with its manic sense of a life balanced somewhere between animal high spirits and an apprehension of moral disaster." To this viewer [Winogrand] seems, in fact, the central photographer of his generation. --John Szarkowski
Essay by John Szarkowski.
Hardcover, 11 x 10.25 in., 260 pages, 208 duotone illustrations --This text refers to the Hardcover edition.