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0520209842
 
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Behind Closed Doors: The Art of Hans Bellmer (The Discovery Series) 
 
  
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Product Details 
  
 
Hardcover 
275 pages 
University of California Press 
Published 2001 
  
Times Literary Supplement 
  
"Interesting [and] persuasive."  
  
 
  
From the Back Cover 
  
"Behind Closed Doors reveals the complex structure behind these photographs of violated female adolescence, a structure in which sadism, masochism, hermaphroditism, fetishism, utopianism, and nostalgia all play a role. Above all, Lichtenstein's study makes clear the political aspect of these transgressive images: the way in which they served to question and undermine the contemporary authoritarian Nazi image of sexual 'normalcy' by recourse to a violent return of the repressed."-Linda Nochlin,... read more  
  
 
  
Book Description 
  
The life-size, adolescent-girl dolls created by German artist Hans Bellmer in the 1930s are the subject of Therese Lichtenstein's highly original book. Disturbing and controversial, Bellmer's dolls-with their uncanny, fragmented bodies and eroticized poses-were just as shocking during Bellmer's time as they are today. Until now there has been little available in English about Bellmer's dolls, and Lichtenstein's book will be welcomed for its fresh interpretation of the artist's work and his place in European modernism. Eighty striking photographs accompany the text.  
  
 
  
Working during a time when Nazism was on the rise, Bellmer created several dolls with fragmented bodies that could be dismantled and arranged in various configurations. Using a narrative format, he then photographed the dolls in a range of grotesque-often sexual-positions. The images he conveyed were of death and decay, abuse and longing, in stark contrast to Nazism's mythic utopian celebration of adolescence.  
  
 
  
Lichtenstein interprets Bellmer's complex expressions of eroticism as a protest against the Nazis and also against his father, a cold and repressive Nazi sympathizer. At the same time, she says, by hyperbolically flaunting a passive femininity in a theatrical manner, Bellmer's images allow us to consider how cultural representations can affect the formation of identity and alternative possibilities.
 
  
 
  

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