| Andy Warhol, Poetry, and Gossip in the 1960s
[Click on the appropriate flag to buy the book] | Product Details Hardcover 224 pages University of Chicago Press Published 1997 Synopsis Andy Warhol is usually remembered as the artist who said that he wanted to be a machine, and that no one need ever look further than the surface when evaluating him or his art. Arguing against this carefully-crafted pop image, Reva Wolf shows that Warhol was in fact deeply emotionally engaged with the people around him and that this was reflected in his art. Wolf investigates the underground culture of poets, artists, and film-makers who interacted with Warhol regularly. She claims that Warhol understood the literary imagination of his generation and that recognizing Warhol's literary activities is essential to understanding his art. Drawing on a wealth of unpublished material, including interviews, personal and public archives, tape recordings, documentary photographs, and works of art, Wolf offers dramatic evidence that Warhol's interactions with writers functioned like an extended conversation and details how this process impacted on his work. This study aims to gives fresh insight into Warhol's art, and reformulates the myth that surrounds this original American artist. Ingram Pop icon Andy Warhol claimed a machine mentality, and that no one need look further than the surface to evaluate him or his art. Reva Wolf shows that Warhol was actually deeply emotionally engaged with the people around him, which his art reflected. Drawing on a wealth of unpublished material, Wolf offers dramatic evidence that Warhol's extended interactions with writers and others did affect his work. 4 color plates. 80 halftones . --This text refers to the Paperback edition. Book Description Andy Warhol is usually remembered as the artist who said that he wanted to be a machine, and that no one need ever look further than the surface when evaluating him or his art. Arguing against this carefully crafted pop image, Reva Wolf shows that Warhol was in fact deeply emotionally engaged with the people around him and that this was reflected in his art. Wolf investigates the underground culture of poets, artists, and filmmakers who interacted with Warhol regularly. She claims that Warhol understood the literary imagination of his generation and that recognizing Warhol's literary activities is essential to understanding his art. Drawing on a wealth of unpublished material, including interviews, personal and public archives, tape recordings, documentary photographs, and works of art, Wolf offers dramatic evidence that Warhol's interactions with writers functioned like an extended conversation and details how this process impacted his work. This highly original and fascinating study gives us fresh insight into Warhol's art as practice and reformulates the myth that surrounds this popular American artist. |
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