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Harold Edgerton (1903-1990) - Checklist


  
LL/1428
ThumbnailHarold E. Edgerton 
Cutting the Card Quickly 
1964 
Dye transfer print 
7 x 10 in a 14 x 18 mat 
Afterimage Gallery 
The Edgerton Digital Collections (EDC) project - Mit Museum number: HEE-NC-64003 
  

  
LL/2655
ThumbnailHarold E. Edgerton 
Moving skip rope 
1952 
Gelatin silver print 
9 x 11 
Ariel Meyerowitz Gallery 

  
LL/2679
ThumbnailHarold E. Edgerton 
Swirls and Eddies of a Squash Stroke, (Jack Summer, coach) 
1954 
Gelatin silver print 
14 x 11 
Ariel Meyerowitz Gallery 

  
LL/3704
ThumbnailHarold E. Edgerton 
Back Dive 
n.d. 
Gelatin silver print 
14 x 11 
Candace Dwan Gallery 
Feedback Id: EE/467Click on image for details 
[Copyright and Fair Use Issues]
 
  
Contextual notes: 
  
The scientific photographs of Harold Edgerton cross the boundaries into popular art because of their virtuosity and ability to clearly show a complex movement in a single shot. Using stroboscopes the entire action or a unique moment is captured on a single photograph. Muybridge captured each movement in a separate photograph, Bragaglia as a blur of motion but Edgerton combines the two with clarity.
 
The reason why these images are so popular is that they amaze the public with the fact that the movement of a speeding bullet can be captured with such precision.
 
This tradition is continued by people like Professor Andrew Davidhazy at the Rochester Institute of Technology who has used a wide variety of photographic techniques to enhance scientific understanding.
 
Vernacular
The Art of the American Snapshot, 1888-1978 
  
Sarah Greenough (Author); Diane Waggoner (Author); & Matthew S. Witkovsky (Author)
Click here to buy this book from Amazon
 
Adirondack Vernacular: The Photography of Henry M. Beach 
  
Robert Bogdan (Author); & Henry M. Beach (Photographer)
Click here to buy this book from Amazon
 
Photo Trouvée 
  
Michel Frizot (Author); &  de Veigy (Author)
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Gentle reminder
 
  

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