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The New Pictorialism in Landscape Photography - Checklist


  
LL/1608
ThumbnailMichael Kenna 
Toya Lake Boulder, Sobetsu, Hokkaido, Japan 
2004 
Gelatin silver print 
7 x 7 
HackelBury Fine Art Ltd 

  
LL/2462
ThumbnailJack Spencer 
Monument Valley, Monument Valley, Utah 
2003 
Gelatin silver print 
19.1 x 22.8 
Andrew Smith Gallery 

  
LL/3515
ThumbnailRena Bass Forman 
Patagonia, Chile, #5 (Lago Sarmie) 
2004 
Gelatin silver print, toned 
38 x 38 
Bonni Benrubi Gallery 

  
LL/3688
ThumbnailRolfe Horn 
Dusk, Izumo, Japan 
2001 
Gelatin silver print 
10 x 10 
Candace Dwan Gallery 
Feedback Id: EE/167Click on image for details 
[Copyright and Fair Use Issues]
 
  
Contextual notes: 
  
It is intriguing to see the repetition of photographic styles as new generations of talented photographers come and go and in landscape photography we can clearly see this happen. In the last twenty years there has been a resurgence of pictorialism but with some twists. The soft focus lens of the late nineteenth century has been replaced with pin sharp lens but the overall feel is the same. Here we get moody shots devoid of people - the lapping waves and streams are caught in a blurry flow. The skilled techniques of master printers, such as Michael Kenna and Rolfe Horn, capture the full range of black and white tones.
 
Another tendency is the use of processes that mimic the pigment and bromoil prints of the nineteenth century - some photographers use the exact techniques whilst others use digital processes to create stylistic facsimiles.
 
Nature
The Worlds Top Photographers and the Stories Behind Their Greatest Images: Wildlife 
  
Terry Hope
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Erotic Flowers. Photographs by Xiao Hui Wang. 
  
Xiao Hui Wang (Photographer)
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Guido Mocafico: Venenum 
  
Guido Mocafico (Photographer); Patrick Remy (Editor); Jacqueline Goy (Essay); & Christine Rollard (Essay)
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